ERC

Had the chance to pay a visit to Pete Huchison at The Electric Recording Company and here are some of the visual highlights of the trip.

The centerpiece is of course the Lyrec Cutting Lathe.

Also on site were Neuman and Scully

Other things of note were the EMT930 and the Westrex cutting amps

 Of course there was a selection of their work on display

and this necessity of any studio

which is of course a place to store the cut lacquers.

On the listening side it was really cool to hear the comparison between an acetate and the test pressings of upcoming Bill Evans and John Lee Hooker releases.

Forevertron II

I get to cross another thing off my bucket list and that is a visit to Dr. Evermore's Forevertron Sculpture park.

OK you must be asking what does an Altec 1803 have to do with art?

and if you look a bit closer this odd bird has a 288 up its bum.

 Audio folk can rest assured they come from the stereo era but tend to have channel separation of 100 feet or more.

The above birds come from the Altec genus and the more pedestrian brass genus was also well represented.

Finally the ultra-rare unobtanium WE genus also makes an appearance.

alas.... unlike the lowly Altec's, the WE sample is sans 555

LR Phono - with official seal of approval

so we have been working like mad on this:

and listening to a gazillion subtle changes... 

like 49% versus 80% nickel cores in the 

outputs... guess which one sounded better?  

and then when grabbing the output tubes we 

noticed something on the bottom...

yep... so the new LR Phono is officially ready.... 

seal of approval and all... 

and this is happening in the Hudson Valley... just bonkers!

peace,
me

Tannoy Redux

A decade or so ago, I played with some nickel cored versions of the Tannoy crossover parts for Arthur Loesch.  Recently, Chris from Jupiter Condenser had me do a complete set using his 0.99999 pure cotton served copper wire.

The cotton serving takes up a fair bit of the winding space compared to typical magnet wire insulation so some creative license was needed to keep the parameters identical to the original.  Luckily, the higher perm of the 80% nickel cores made this easy!

In the original design the ~0.5mhy inductor was air cored and had a rather high DCR and was in series with a ~4Ω resistor and I needed to juggle the DCR and and resistor values to net the same end result.

Since the theme here was 80% nickel, it only seemed appropriate to use that to my advantage for the above choke and sneak a few lams into the typically air cored inductor above to keep the family character.

LCR Tape EQ

Just finished up a LCR tape EQ for a customer in Hong Kong.

Single ended input and output with 40dB of gain and three different EQ filter options. (NAB, 7.5ips IEC and 15ips IEC)  This follows the basic topology of our phono with permalloy output transformers and power supply chokes.

In this instance the customer needed a balanced input so I built an active Balanced to SE gain stage based on a pair of 2SK170's loaded with an 80% nickel transformer that brings the overall tape gain up to 60dB.

Tarragona Audio

Pictured below are 14 pieces of lovingly hand crafted nickel for an all out design of a microphone preamp by our good friend Peter in Berlin.

This device is unique because unlike the typical professional "buffer it all and let god find the music" approach of some, Peter harkens back to the days of yore when transformers and inductors were the proper tools to use and what something sounded like actually mattered.

The 14 permalloy pieces consist of 4 - DC carrying output transformers that load active devices, 2 - level control autoformers, 2 - tapped filter chokes, 4 - nickel power supply chokes, an input transformer and a phantom power choke.  No caps exist outside the power supply and at the next ETF I will lobby for some filament supplies.  As it stand, i think it is awesome and if given the choice between using transformer loaded Fet's and chokes or tubes and caps I think peter made a wise choice.

full details of this design can be found at Tarragona Audio

GM70, Silver and Nanocrystalline

Just finished these up for a GM70 amp Jeffrey is building for a customer.  They are wound with 0.9999 pure silver wire on big nanocrystalline cores.

The silver winding wire is brought out for direct connection to the circuit.  While I am a firm believer that it is the amp designers responsibility for the ultimate packaging aesthetic, I do have some 125mm cubed aluminum covers that will cover them if needed.

After many years of insisting that doing multiple taps only adds to the compromises I want to avoid in a design, I have finally come up with results that I deem acceptable.  Below are the plots of a similar transformer wound with the ability for 4, 8 and 16 ohm taps.

For behavior below 100hz I look at the inductance plots to make the best choice of inductance vs. current for the intended application and set the air gap accordingly.  The plots below were taken with the equivalent of a 16W excitation voltage @ 50hz.  Pink would be suitable for a parallel 300B,  Brown an 845 or GM-70 and something inbetween green and blue could be chosen for a 211.

dave